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La Rossignol |
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BIOGRAPHY : "La Rossignol" ensemble is based out of Soresina (Cremona - Italy) and it's formed by artists and researchers with the aim of studying and diffusing early music and dance. Together since 1987, the members of this company each have lent their individual and spectacular work studies from direct sources historical organ logistic and iconographic research. Their performances have extended all over the world. |
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El grupo ha ademas partricipado en numerosas colaboraciones con la RAI( Uno Mattina, Festival di Sanremo, Geo & Geo) con Mediaset y con el cine ( II mestiere delle Armi di Ermanno Olmi) asesorias y dirección artística ( entre las cuales el 1° festival italiano de música e danza renascimental)cursos de formación y actualización y la realización de músicas para espectáculos teatrales y de danza antigua . |
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catalogue |
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The "piffari" were the municipal players of 15th Century , the independent players in every repertory: from the chanson, the "vilannelas" or madrigals to instrumentals like the executions on the tenor, and especially, dance. Beyond the other common dances (the "Bransle" or "La volta") and those more typically corteus (like the bassodanza "Caterva"), the piffari often executed even instrumental versions of vocal profane songs (for example "les chansons" collected from Attaignant) . |
TRACK LIST
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€ 15,00
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The chants of medieval pelgrims walking to the sacred places of the Christian Faith .
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TRACK LIST - 1. Dum Pater familias - Canto d'Eultreya (Cod. Calixtimus) - 2. Edi Beo Tzu (anonimo XIV) - 3. Magdalena degna de laudare (Laud. Cortona) - 4. Chevalier mult estes (anonimo Croisade 1147) - 5. Hui matin (Wolfenbuttel W) - 6. Troppo perde'l tempo (Laud. Cortona) - 7. In Seculum (Ms. Bamberg) - 8. Stella splendens (Llibre Vermell) - 9. Palastinalied (Walter Von Der Vogelweide) - 10. Sol sub nube (Cod. Pluteus) - 11. Sancta Maria Loci (Alphonso El Sabio) - 12. Des oge may (Alphonso El Sabio) - 13. Santa Maria strela do dia (Alphonso El Sabio) - 14. Como poden (Alphonso El Sabio) |
€ 15,00
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The Italian Renaissance was an extraordinarily creative period : lmusic and dance belonged to a season of incredible richness in which all the great masterpieces followed one after another in a fascinating and astonishing rise. The music and the dances in this Cd heard for the first time at the Cremona Collegium Musicum (La Rossignol) represent the most well noted pages of their time, and it's a result of rigorous research by musicologists, choreologists and specialists of antique dance.
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TRACK LIST - 1. Danse Morisque (Tielmon Susato) - 2. Luro di Lorenzo (D. Baronio) - 3. Amoroso (Guglielmo Ebreo) - 4. Petit riense (Guglielmo Ebreo) - 5. Bassadanza Reale (Domenico da Piacenza) - 6. Tourdion (Peirre Attaignant) - 7. Piva (Joan Ambrosius Dalza) - 8. Greensleves (anonimo) 9. Ungaresca saltarello (Georgio Mainerio) - 10. Schiarazula Marazula (Georgio Mainerio) - 11. Paviana (Pierre Phalese) - 12. Branle de l'official (Thoinot Arbeau) - 13. Branle dei cavalli (Thoinot Arbeau) - 14. Branle pinagay (Thoinot Arbeau) - 15. Ballo del fiore (Fabritio Caroso) - 16. Baraban (anonimo) - 17. Amor vittorioso (Giovanni Giacomo Gastoldi) - 18. La caccia (Cesare Negri) - 19. Il canario (Fabritio Caroso) |
€ 15,00
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The music and the magic during the Renaissance. Formule magiche, Tarantole e Antidoti, Folletti e Fate, Atalanta Fugiens, Balli Furlani, Carmina Magica, Danze Macabre, Renovatio Mundi. |
TRACK LIST - 1. Sonetto alchemico - 2. Antidotum Tarantulae - 3. Tarantella sp - 4. Tarantella it. - 5. Entré du Fol - 6. Un satire cornu - 7. Aria della campanella - 8. Brando lo spiritillo - 9. The Fairy round - 10. Schiarazula Marazula - 11. Fuga V - 12. Fuga III - 13. Fuga XIII - 14. Arboscello - 15. Ungaresca a saltarello - 16. Putta nera - 17. Media vita - 18. Nostre Donne du bout du pont - 19. Morris dance Brimfield - 20. Barabèn, Tresca dei preti - 21. Ad mortem festinamus - 22. Suono del Ballo de' Selvaggi e delle Simie - 23. La rosa enflorese - 24. Bussulù - 25. Tempus adest floridum - 26. Les Mattachins |
€ 15,00
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The Rose is one of the symbolic images of the Renaissance civility . The Cd, recorded "live" in a 5th century church in Italy, includes the compositions of Ciconia, Dunstable, Monteverdi, Frescobaldi and Damnonis .
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TRACK LIST - 1. Rosina (Erasmus Widmann) - 2. O rosa bella (Johannes Ciconia) - 3. Mignonne, allon voir sin la rose (Guillaume Costeley) - 4. I bei ligustri e rose (Thomas Weelkes) - 5. O rosa bella (John Dunstable) - 6. O rosa bella (Anon. XV) - 7. O rosa bella / Hé Robinet (Anon. XV) - 8. Canzon X La rosa (Fiorentio Maschera) - 9. Amor Jesù divino (Innocentius Dammonis) - 10. Ave virgo gloriosa (Innocentius Dammonis) - 11. O stella mattutina (Innocentius Dammonis) - 12. O florens rosa (Anon. XV) - 13. J'ai advisé ung rosier (Anon. XVI) - 14. Pavana di rose e gigli (Maurice Landgrave de Hessen) - 15. Se l'aura ispira (Girolamo Frescobaldi) - 16. Rosa felice (Fabritio Caroso) - 17. O rosetta, che rosetta (Claudio Monteverdi) - 18. Rose is white (Anon. XVI) |
€ 15,00
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Dances and music of Renaissance by C. Gervaise, Domenico da Piacenza, W. Ballet's Lutenbook (Greensleeves), M. Cara, G. Mainerio, Fabritio Caroso, C. Negri and Pierre Phalese .
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TRACK LIST - 1. Deh fossi la qui mecho (Anon. XV) - 2. Su su leva alzar le ciglia (Il Tromboncino) - 3. Fortunosa (Domenico da Piacenza) - 4. Roti Boully Joyeulx (Anon. XV) - 5. Non è tempo d'aspettare (M. Cara) - 6. Cupido (Guglielmo Ebreo) - 7. Pan de miglio (Anon. XVI) - 8. Branle double (Anon. XVI) - 9. Pavane D'Angleterre (C. Gervaise) - 10. Greensleves (W. Ballet's Lutenbook) - 11. La Parma (Georgio Mainerio) - 12. Putta nera (Georgio Mainerio) - 13. Il ballerino (G.M. Gastoldi) - 14. Chiara stella (Fabritio Caroso) - 15. Spagnoletta (Fabritio Caroso) - 16. Alemanna d'amore (Cesare Negri) - 17. So ben mi chi ha buon tempo (Cesare Negri) - 18. Almande, Gavotte, Gavotte (Pierre Phalese) |
€ 15,00
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RELATED LINKS |
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