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Chominciamento di Gioia

"In Vina Mea"
Chominciamento di Gioia
 (III Millennio - 2004)
 
The wine, the grape-vine and the vineyard in the music of middle-age . Praised in profane poetry and honored in religious symbolism , prescribed in medicine and fundamental element of economy, wine was an important part of medieval culture. Mystical Vine, source of Celestial Wine, Beverage of Life. In the midst of all symbolical wealth and ambiguity it's difficult to say if the "nectar of the Gods" was more an instrument of earthly pleasure or mystical medium of trancsendent spirituality, whatever the case may be... in vino veritas .

 

Ensemble "Chominciamento di Gioia". Produced by Gianfranco Russo
Antonella Tatulli (Chant) - Assia Polito (Chant) - Ilaria Severo (Chant) - Riccardo Celentani (Chant) - Fabrizio Giovannetti (Chant) - Giorgio Monari (Chant) - Leandro Teodori (Chant) - Elisabetta Di Filippo (Psaltery, Bells, Timbrels, Darbouka, Tabor) - Olga Ercoli (Harp, Double Harp) - Luigi Lupo (Traverse Flute, Recorders, Bell) - Luigi Polsini (Fiddle, Oud, Lute) - Gianfranco Russo (Fiddle, Hurdy Gurdy, Recorder) .

 

- 1. Bacche bene venies
(Carmina Burana n.200) 4.21
- 2. Deficiente vino
(Ms I-Pa 2788, Perugia) 0.34
- 3. Como Deus fex vynno
(Cantigas de Santa Maria, n.23) 5.31
- 4. Bon vin doit
(Roman de Fauvel) 2.05
- 5. Alte clamat Epicurus
(Carmina Burana n.211) 3.45
- 6. L'autre lèr cuidèl aver druda
(Chanson trobadorica, anonimo) 3.01
- 7. Ben pod'as cousas
(Cantigas de Santa Maria, n.73) 4.45
- 8. Sacerdos in aeternum
(Ms I-Pa 2799, Perugia) 0.36
- 9. Procurans odium
(Carmina Burana n.12) 4.06
- 10. Vinum bonum
(Ms. Egerton) 4.08
- 11. Ges de disnar
(Bertrand de Born) 4.16
- 12. Dixit pater familias
(Ms I-Pa 2782, Perugia) 1.01
- 13. Poder à Santa Maria
(Cantigas de Santa Maria, n.161) 4.46
- 14. Felix vitis
(Ms I-Pa 2785, Perugia) 2.51
- 15. A que Deus
(Cantigas de Santa Maria, n.351) 6.31
- 16. O Divina Virgo fiore
(Laudario di Cortona) 3.00
- 17. On Parole / A Paris / Frese Nouvelle
(Ms. Montpellier) 3.14
- 18. In taberna
(Carmina Burana n.196) 4.01

€ 15,00

 

In Vina Mea
Chominciamento di Gioia

 
 
"Rosa das Rosas"
Chominciamento di Gioia
 (III Millennio - 2002)

This Cd is dedicated to the universality of the Rose,  a symbol that inspired the musical, religious and profane literature all over medieval Europe. In the rich medieval symbology the Rose has a leding role. In fact it incarnates many esoteric or popular, religious or literary meanings in a semantic plaiting of variables such as form, colour, perfume, number of petals and thorns. The instruments employed by the italian ensemble "Chominciamento di Gioia", as well as the performing styles, are typical of the place and time of composition of each piece, according to literary or iconographic evidence. The presence of heterogeneous languages required particular attention too: think of the difference in pronunciation between the 13th century French and the more mature one of late 14th century Ars Nova or of the national connotations of the sound of high-German Latin compared to the French or Italian ones.

 

TRACKLIST

(Cantigas de Santa Maria) 5.36
- 2. Ther is no rose of swych vertue
(carol. english anonyme) 2.39
- 3. Ave Rosa novella
(ms. Wolfenb, ttel) 2.42
- 4. En mai quant rosier / Liatre jour / Hè resvelle
(Montpellier Codex) 3.02
- 5. Rose, liz
(Guillaume de Machaut) 4.39
- 6. Ex semine rosa / Ex semine Abrahe / Ex semine
(Bamberg Codex) 3.42
- 7. O Maria rubens rosa
(Engelberg Codex) 3.28
- 8. Quant fluorist la violete et la rose / El mois de mai
(Bamberg Codex) 2.18
- 9. Vos flores rosarum
(Hildegard von Bingen) 5.20
- 10. En mai la rousèe
(Thiebaut de Navarre) 2.43
- 11. Rosa veris paradisus
(ms. lat 1343, Paris B.N.) 4.05
- 12. La rosa enflorece
(sephardite anonyme) 5.03
- 13. Rosa fragrans
(rondellus, ms. Oxford) 2.32
- 14. L'an que rose ne fuille
(Chatelain de Coucy) 5.32
- 15. En non Dieu / Quant voy la rose / Nobis
(Bamberg Codex) 2.42
- 16. Vernans Rosa
(lauda, Antifonario di Bobbio) 4.10  

€ 15,00

 

Rosa das Rosas
Chominciamento di Gioia

 

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